Category: Clothing

In 1982 the Harris received a bequest from a local lady who had recently passed away. Miss Mabel Haythorn (born 1910) lived in an apartment in Frenchwood House in Preston her whole life. We believe she never married and had a private income. In her will, she left the Harris Museum & Art Gallery a […]

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In 1982 the Harris received a bequest from a local lady who had recently passed away. Miss Mabel Haythorn (born 1910) lived in an apartment in Frenchwood House in Preston her whole life. We believe she never married and had a private income. In her will, she left the Harris Museum & Art Gallery a […]

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In 1982 the Harris received a bequest from a local lady who had recently passed away. Miss Mabel Haythorn (born 1910) lived in an apartment in Frenchwood House in Preston her whole life. We believe she never married and had a private income. In her will, she left the Harris Museum & Art Gallery a […]

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The Whalley Abbey Vestments are a set of exquisitely embroidered Medieval ecclesiastical garments with the full set comprising of a chasuble, two dalmatics and a maniple. Of these, the chasuble, maniple and one dalmatic are in the collection of Towneley Hall, while another matching dalmatic resides in the Burrell Collection in Glasgow. These vestments are […]

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These suits acted as a protective layer that would cover visitors own clothing whilst they enjoyed the Fun House at Blackpool Pleasure Beach. They take the form of a robust cotton overall in geometric, colour blocked panels in brown, pink, green and yellow. the cuffs have a contrasting yellow button at each wrist and a […]

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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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This jacket appeared in the Autumn/Winter 1991-1992 Collection by French designer Christian Lacroix. The design has modernised the traditional tartan pattern, using embellishments like sequins and rhinestones to emphasise the pattern. The key features are the intricately embellished pockets with beads and sequins applied to follow the pattern of the underlying check. This embellishment was […]

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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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This beautiful textile is an example of an amli shawl, a technique where small woven pieces are hand sewn together and then further embellished with embroidery. Every step of the making process was labour intensive and required high skill levels meaning that amli shawls were highly prized luxury items. Unlike many other styles of shawl […]

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Finely woven Kashmir wool shawls from India became status symbols in Europe in the 18th century, and were considered the height of fashion up until the 1870s. As highly desirable commodities, factory-owners in Europe were quick to capitalise on their appeal and employed new industrial machine weaving methods to maximise profits. Towns such as Norwich, […]

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Unlike menswear, women’s clothing in the 18th century did not have ‘built in’ pockets and the modern handbag was yet to be invented. Instead, most women wore pockets like these on a tape around the waist, usually over the top of a petticoat but underneath the outer layer of the skirt. Slits could be left […]

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The elaborate pattern and vibrant colours of this Malaysian batik sarong would have required a great deal of skill to create and the finished garment would have been a status symbol for the wearer.  The complex design features peacocks as well as other birds, butterflies and a variety of floral motifs. At least six different […]

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