This fabric was designed and manufactured in Lancashire using industrial printing processes to closely imitate the effect of traditional, hand worked batik or wax resist dyeing so that it could be sold on the African export market. This example is particularly interesting as it was manufactured to commemorate the Silver Jubilee of Queen Elizabeth II […]
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This commercial sample was designed and manufactured in Lancashire using industrial printing processes to closely imitate the effect of a traditional, hand worked batik or wax resist dyeing. It was produced by the Manchester based firm Edwards, Cunliffe & Co Ltd c.1950-60 and was intended for the African export market. A manufacturer’s label still attached […]
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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]
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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]
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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]
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Japanese hiki-furisode-style robe, of ombre dyed silk crepe with padded hem and long sleeves and lined with bright red silk. The robe has blank spaces for crests in the small circles either side of the front opening. The beautiful mauve ombre provides a backdrop for the delicate painted motifs depicting auspicious cranes along with pine […]
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This adire cloth was produced in Ibadan, Nigeria, and uses cassava starch paste as a resist to create the pattern using indigo dye. The technique is similar to other resist techniques such as batik, but using cassava starch instead of wax. This sample is now held in the Gawthorpe Textiles Collection but was originally collected […]
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A commercial sample of a furnishing weight cotton chintz with an Art Nouveau style pattern designed by Samuel Rowe and printed by Turnbull & Stockdale Ltd. The stylised, intricate and sinuous forms of the flowers in this design are typical of the evolving styles at the end of the 19th century, when Arts & Crafts […]
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This sample of glazed cotton cretonne furnishing fabric was designed by Lewis Foreman Day (b.1845 d.1910). Day was an influential designer, critic and artist who combined the design principles of the Arts & Crafts Movement with industrial production methods. From the 1870s to his death in 1910 he was Artistic Director of the printing firm […]
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This cloth was manufactured in Manchester for export to African markets. Depicted in the design is Moïse Tshombe, a Congolese businessman and politician who became president of the Secessionist state of Katanga from 1960 to 1963 and then Prime Minister of the Democratic Republic of the Congo 1964 to 1965. The style of the design […]
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This piece of roller printed cotton has a stylised floral pattern with a slight paisley influence, seen especially in the small patterns used as fillings for larger shapes. The small scale of the printed pattern and light-weight cotton fabric indicate this was probably intended for use as a dress fabric, although this length appears to […]
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This piece of Turkey Red dyed cotton has been crudely made up into a curtain with a simple drawstring along the top edge, probably not the original intended use for the fabric and more likely a way of making use of a leftover piece of dress fabric. The print used on the fabric is a […]
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