Date: 1851-1900

This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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Finely woven Kashmir wool shawls from India became status symbols in Europe in the 18th century, and were considered the height of fashion up until the 1870s. As highly desirable commodities, factory-owners in Europe were quick to capitalise on their appeal and employed new industrial machine weaving methods to maximise profits. Towns such as Norwich, […]

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The elaborate pattern and vibrant colours of this Malaysian batik sarong would have required a great deal of skill to create and the finished garment would have been a status symbol for the wearer.  The complex design features peacocks as well as other birds, butterflies and a variety of floral motifs. At least six different […]

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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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This sample is one of a set of over 90 print samples attributed to the Robert Hindle & Co Print Works in Sabden, Lancashire. The vibrant colours of the samples are a perfect example of the impact that aniline dyes had on the dyeing and printing industries. The first aniline dye was mauveine or ‘Perkin’s […]

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Japanese hiki-furisode-style robe, of ombre dyed silk crepe with padded hem and long sleeves and lined with bright red silk. The robe has blank spaces for crests in the small circles either side of the front opening. The beautiful mauve ombre provides a backdrop for the delicate painted motifs depicting auspicious cranes along with pine […]

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Leek embroidery was a style of embroidery created and popularised by Sir Thomas and Lady Elizabeth Wardle through the Leek Embroidery Society. Thomas Wardle was an influential silk dyer with a particular interest in Indian silks and natural dyes that influenced his research and experimentation with dyeing processes and materials. He worked alongside several key […]

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This Qing era robe has a typical straight cut, loose fitting body with square sleeves. The simple shape is designed to make efficient use of narrow widths of silk so that as little as possible of the expensive silk fabric is wasted when the garment is constructed. The main fabric is a lightweight silk with […]

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Sleeve bands were decorative cuffs and would have decorated the bottom edges of the sleeves on a traditional robe. They often featured designs that were a near perfect mirror image of one another so that when the hands were clasped in front of the body and tucked slightly into the opposite sleeve, the designs would […]

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